Notes from the Peninsula
On writing, films and living a creative life
Evil Dead 2 (1987)
A man who wanted to have a romantic weekend in the woods with his girlfriend is instead made to fight for his life against demon-possessed corpses.
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Invaders From Mars (1986)
A pastiche of black and white science-fiction films, but subverting them by having the aliens turn people into conformist fifties stereotypes instead of communists.
Lifeforce (1985)
Naked space vampires hidden in Halley‘s Comet, you say? I’m in! Plays on a much bigger canvas than I expected and owes a debt to Quatermass.
Infinity Pool (2023)
A man pays dearly to escape his writer’s block when he accepts the malign attention of a woman who wants to test him to destruction.
Crimes of the Future (2023)
Graphic body mutilation, big ideas and knowing performances that lead to some surreal laugh-out-loud moments. A raised eyebrow at all that he has made before.
Messiah of Evil (1973)
People bleed from the eyes. An artist’s studio is painted with staring faces. The citizens of Point Dune dress respectably but do terrible things. The four protagonists share a bed. (Groovy.)
Don’t Look Now (1973)
A masterpiece — ghost story, sort of, psychological thriller and family drama, certainly — a magical exploration of a marriage under the strain of a tragic loss.
The Lair of the White Worm (1988)
Camp horror fun with a nasty edge. Ken Russell was a genius. I taped this off the TV back in the day and watched certain bits over and over... naked nuns and Amanda Donohoe.
Slugs (1988)
It’s silly — it’s called Slugs! — but as lots of these cheap 70s and 80s horrors were, it’s creative, fun and weirdly sexy.
Death Ship (1980)
Keeps a steady pace as a ghost story, making the most of the spectacular empty ship as a location. The final act really dials up the horror. Also - KINDERTRAUMA!
Scream VI (2023)
The surviving friends from Scream 5 go to college as a pack, and in New York the franchise finds some fresh energy.
Scream (2022)
Ah, the plot. It’s a whodunnit, but with lots of stabbing. Twas ever thus. David Arquette’s Dewey is the best thing about it. I think I’m finally too old for Scream films.
There’s Nothing Out There (1991)
A mix of Cabin in the Woods, Friday the 13th, Evil Dead and Scream, but with no budget. It’s fun, a broad horror comedy that isn’t afraid of the horror. Cheap but clever.
Castle Freak (1995)
The Reilly family arrive in Italy to inherit a castle left to them by an elderly Duchess. The creature she’s been keeping in the dungeon breaks free. Gothic melodrama and cannibalism ensue.
Re-Animator (1985)
A gory take on Frankenstein with a psychopathic scientist, an evil academic, and a morgue full of reanimated corpses. The ever-present syringe of neon green liquid is iconic.
65 (2023)
An alien gets stranded on Earth when an asteroid hits his ship. There is a fellow survivor. There are challenges. There are dinosaurs.
The Pale Blue Eye (2022)
A nineteenth century murder mystery set in the snowbound US military academy at West Point, where a cadet is found hanged with his heart removed from his body.
The Exorcist III (1990)
A flawed film filled with wonders. More of an existential downer than I expected — yes, it’s about a demon bringing hell to earth, but it goes strong with what that might mean.
Survival of the Dead (2009)
An exiled patriarch tempts four soldiers to his island with a hope of settling an old score. Tonally weird — part western, part comedy, not much zombie threat — it’s a clunker.
Diary of the Dead (2007)
Found footage Romero style. A student film crew try to stay alive as the dead come back to life, but the director decides to film everything putting pressure on the people around him.