Films
In the dark, a waking dream
The Stendhal Syndrome (1996)
Imaginative and clichéd, intriguing and brutal, this film is primarily about rape, torture, and insanity. Asia Argento goes insane in Florence on the trail of a serial killer and rapist.
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DarioArgento SeenRead DavidLynch 31DaysofHorror2023 31DaysofHorror2022 31DaysofHorror2021 31DaysofHorror2020
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The Black Cat (1990)/Trauma (1993)
These two odd kittens are making me wonder if the Dario Argento project is reaching its end. The Black Cat sees a deranged, beret-clad Harvey Keitel play a photographer obsessed with taking pictures of mutilated bodies.
Opera (1987)
Opera is the last of what’s regarded as Argento’s unimpeachable run of giallo-horror-thrillers through the seventies and eighties. For me, there are hits and misses, but Opera is one of his best.
Phenomena (1985)
Like in Suspiria, a young woman arrives at a female-run school where students are being murdered by an unseen killer, but there are no witches in Zürich, just a girl who has an unconscious connection with insects.
Tenebre (1982)
You see different things in a good piece of art as you get older. I wrote about Tenebre back in October 2020 for the #31DaysofHorror challenge. I loved it then, and I love it now, but the protagonist is far less likeable than I remember, and the twists more surprising.
Inferno (1980)
If Suspiria was a step away from the narrative rigours of a whodunnit, Inferno is a giant leap, with four (four!) protagonists in two cities — but it starts with a woman, Rose, being sold a rare occult book called The Three Mothers and coming to believe her apartment block was built for a witch.
Suspiria (1977)
Suspiria is a vivid, colourful dream where death stalks us, out of sight but ever-present. Characters die in complicated and fantastical ways to Goblin’s driving mix of Moog synths, bells, whispered vocals and a drum beat for the ages. And it’s a film filled with strong women. The men are all ineffectual side characters.
Deep Red (1975)
After making a couple of thrillers for television and a hard-to-find historical comedy that was a commercial flop, Argento returned to Giallo with a twisty, colourful, Goblin-scored mystery.
Four Flies on Grey Velvet (1971)
Roberto, an American drummer in a band recording in Milan, chases a man who has been following him and accidentally kills him. A masked figure takes photographs and begins to torment Roberto, but what is their motive?
The Cat O’ Nine Tails (1971)
A blind ex-journalist overhears a conversation about blackmail outside his apartment. A newspaper reporter investigates a burglary in a nearby laboratory. As people at the lab start to die, the two men join forces to uncover the story.
The Bird with the Crystal Plumage (1970)
In Panico, Dario Argento describes himself as being of two halves — the contented person at home, and the person who is compelled to investigate the darkness inside himself through making films.
Ligeia
Ligeia, by Edgar Allan Poe, is a six-thousand-word hallucinatory tale about an intense marriage that survives beyond death. The narrator is looking back, remembering his wife, Ligeia, who he idolised.
Physical media
Continuing my interest in how fiction and films work together, I picked up Cornish Horrors: Tales from the Land’s End, part of the British Library’s Tales of the Weird series, a collection I’ve owned for a few years and never read...
Nostalgia
I’m in Wales at short notice because Dad’s been admitted into hospital. The co-morbidities have gathered and decided to strike. He’s in bad shape. Around visiting times I’m looking for peaceful, distracting activities.
Fidelity
I’ve deleted my Patreon creator’s account, which was beginning to feel like I was cheating on my website (or the other way around, I’m not sure). Two places for almost the same words.
Best film discoveries and fiction of 2023
My favourite ten film discoveries (ranked) and ten favourite fiction books (not ranked). (Letterboxd is a hella sexy website. I wish GoodReads made more of an effort.)
65 (2023)
An alien gets stranded on Earth when an asteroid hits his ship. There is a fellow survivor. There are challenges. There are dinosaurs.
Meg 2: The Trench
Teeth and tentacles chomp, devour, squeeze and rip through submarines, boats, research stations, and eventually a holiday resort. People die. Lots of people having fun die.
