Notes from the Peninsula

On writing, films and living a creative life

Autumn and The Long Goodbye

In Ali Smith’s Autumn, when discussing a piece of art, Daniel Gluck asks the young Elisabeth, ‘And what did it make you think about?’. I love that question.

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My 2020 in books

I’ve had a tough year reading books. I fell into the trap of seeing reading as work and lost the joy of it. Writers aren’t supposed to admit to not enjoying reading.

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Language muscles

This week I watched: Heart of Midnight (1988), The Grinch (2018), Rare Exports: A Christmas Tale (2010), De Palma (2015). This week I read: Equilibrium, by Tonino Guerra; The Art of the Novel, by Milan Kundera.

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Why do I write here?

I’ve written more posts on my blog in 2020 than ever before. It was tricky to start with — I had to find a new voice and get in a groove. As the year ends, and I begin to think about 2021, I find myself wondering, are they worth the time I put into them?

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London Gothic, Nicholas Royle

The protagonists of London Gothic are walkers, art lovers, film buffs and train nerds. They are loners, in the main, fascinated by urban spaces and routes between places.

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She Dies Tomorrow (2020)

This isn’t a horror film, though it is marketed as one. The camera is often still as figures move towards us, faces blurred by lights or shadows, which creates a sense of dread.

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To the Ends of the Earth (2019)

I couldn’t resist another film by my new favourite director, Kiyoshi Kurosawa, care of my Mubi subscription. Knowing a film I fancy is going to disappear in a few days makes me create the time to watch it.

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Exit Management, Naomi Booth

The term ‘exit management’ is a euphemism for firing troublesome employees. Lauren is exceptional at it, and is highly valued by her monstrous boss, Mina, for her emotional control and ability to get the worst jobs done.

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A Short Film About Love (1988)

Tomek is nineteen, lonely and living with his possessive godmother in a Polish apartment block. Every evening he spies on Magda through his telescope when she comes home from work.

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Creepy (2017)

The films of Kiyoshi Kurosawa were a revelation to me in October’s #31DaysOfHorror — I started with Pulse (2001), then went back to Cure (1997), and both were masterpieces.

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November culture

It’s good to play around with your projects and try new things. I still suffer from a degree of imposter syndrome, and I probably always will.

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Jigsaws

My mother loved to do jigsaws. She would stay up late, after every one else had gone to bed, and do them on the dining table, which is also where she would do the book-keeping for whichever company she was working for at the time.

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Creativity 2.0(.21)

I wonder what next year will bring? I wonder how I can make my craft feel more fun? With those questions in mind, we enter a season of change.

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Lockdown, Part 2

This is a pep talk to myself as I go into another lockdown. It’s shit we have to do it, but we do, and better late than never. These are tough times and periods of lockdown are hard on the spirit.

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Doctor Sleep (2019)

Danny Torrance is an alcoholic, but finds a place of peace and sobriety in New Hampshire, where he uses his shine to ease the deaths of the elderly people in a local hospice.

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The Bride of Frankenstein (1935)

The Bride of Frankenstein contains some of the most iconic images in cinema, but it opens with a scene I really didn’t expect — Lord Byron and Percy Shelley praising Mary Shelley for her book, Frankenstein.

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The Exorcist (1973)

A cultural behemoth. It’s an astonishing film and deserves the plaudits. As I watched it, the question that kept coming up in my mind was, why Regan?

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Tenebre (1982)

Tenebre is set in Rome, but we could be anywhere, because the story stays in hotel rooms, suburban streets and modernist buildings made of concrete and glass.

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Invasion of the Body Snatchers (1978)

People in the background of shots look directly at the camera. A windscreen is a web of cracks that we struggle to see through. The score is spidery and jarring, and the camera is often off-kilter.

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Land of the Dead (2005)

I’d been so careful in choosing the films up to this point, but for one night I thought I’d just go with something random, and here we are. Land of the fucking Dead.

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