Director: Bong Joon Ho

Release year: 2025

Mickey Barnes owes money to sadistic loan shark Darius Blank. To avoid a tortuous death, Micky enrols on a colonising mission to a new planet as an ‘expendable’, a person digitally copied so they can be endlessly recreated after kamikaze scientific tasks. But Mickey 17 doesn’t die before Mickey 18 is created, which makes them both question everything.

The trailer gave strong cartoonish comedy vibes, and that’s true of the film as a whole, but it’s also dark and icky with a twist of philosophy and a relentless anti-capitalism message. The lack of subtlety is deliberate. The monstrously narcissistic mission head, Kenneth Marshall, has the mannerisms of Donald Trump mixed with the space-conquering seed-spreading racism of Elon Musk. The mission is filled with MAGA surrogates. In the script, this must have been a roll of the dice that Trump would lose, but it feels despairing in our current reality, and more like a helpless fantasy.

Nasha is a great character, full of life, a mixture of dark and light, and a vibrant mirror for Mickeys 17 and 18. All the actors bring something unique and cartoonish to their roles, which makes the grim universe they’re inhabiting more bearable to be in for two plus hours—but they all treat Mickey as expendable. I enjoyed much of it, and the central foursome of Mickey 17/18, Nasha and Kai keep things emotionally interesting, but it goes on too long saying the same thing.