Writing
Words flow through a favourite pen
Horror AND sex!
Here we go again, with my fourth #31DaysofHorror. I’ve talked about this before, but watching these sorts of films makes me feel like I’m hanging out with my dad. This year I just want a reason to watch a lot of horror films.
Stop rushing
Time isn’t real. The future is an abstraction. So says Alan Watts. I do rush things to get to the end of them — not always, but often enough for it to be a thing I’ve noticed over and over again throughout my life.
A seat in the sun
I’m sitting in the sun. August isn’t going to plan, but I’m doing the best I can with it.
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Why read?
It’s been a tough year, and in the tumult of it, I stopped enjoying reading (again). Instead, I watched films, which are just as wonderful, but do a fundamentally different job.
Something Wicked This Way Comes
I bought it three years ago in a bookshop sale, in spite of the cover, which honestly put me off reading it for a long time.
A flotilla of metaphors
Lying in bed this morning, between the alarm going off and pulling back the duvet, it occurred to me that sentences can capture the high-level aspects of a story as well as the nitty-gritty.
Writing gland
Time to stimulate my first draft writing gland and get my novel moving again. I’d run aground at twenty thousand words. Stephen King’s advice? Write every day and keep going.
Slippery surfaces
Am I doing weekly summary posts now? Perhaps I am. It helps me notice what impact the week’s books and films have had on me. Hand-written notes just get lost in the stream of ink on paper.
Autumn and The Long Goodbye
In Ali Smith’s Autumn, when discussing a piece of art, Daniel Gluck asks the young Elisabeth, ‘And what did it make you think about?’. I love that question.
My 2020 in books
I’ve had a tough year reading books. I fell into the trap of seeing reading as work and lost the joy of it. Writers aren’t supposed to admit to not enjoying reading.
Language muscles
This week I watched: Heart of Midnight (1988), The Grinch (2018), Rare Exports: A Christmas Tale (2010), De Palma (2015). This week I read: Equilibrium, by Tonino Guerra; The Art of the Novel, by Milan Kundera.
Why do I write here?
I’ve written more posts on my blog in 2020 than ever before. It was tricky to start with — I had to find a new voice and get in a groove. As the year ends, and I begin to think about 2021, I find myself wondering, are they worth the time I put into them?
London Gothic, Nicholas Royle
The protagonists of London Gothic are walkers, art lovers, film buffs and train nerds. They are loners, in the main, fascinated by urban spaces and routes between places.
Exit Management, Naomi Booth
The term ‘exit management’ is a euphemism for firing troublesome employees. Lauren is exceptional at it, and is highly valued by her monstrous boss, Mina, for her emotional control and ability to get the worst jobs done.
November culture
It’s good to play around with your projects and try new things. I still suffer from a degree of imposter syndrome, and I probably always will.
Jigsaws
My mother loved to do jigsaws. She would stay up late, after every one else had gone to bed, and do them on the dining table, which is also where she would do the book-keeping for whichever company she was working for at the time.
Creativity 2.0(.21)
I wonder what next year will bring? I wonder how I can make my craft feel more fun? With those questions in mind, we enter a season of change.
Lockdown, Part 2
This is a pep talk to myself as I go into another lockdown. It’s shit we have to do it, but we do, and better late than never. These are tough times and periods of lockdown are hard on the spirit.
In the foothills
Graham Swift once said, ‘All novelists must form personal pacts with the pace of their craft.’ Now I am in the foothills of my second novel, that quote is a comfort.