Films
In the dark, a waking dream
The Beyond (1980)
There is a portal to hell in the basement, and people get mysteriously hurt while working in the house. Like Hellraiser a few years later, the dead return to claim the ones that escape from hell.
#Alive (2020)
After Fulci’s barely moving dead, these running zombies are a bit of a shock. Technology is an ally, but the adult Joon-woo seems to be in a semi-infantile state.
The Mummy (1932)
The original Universal horror films are a bit of a blind spot for me. Imhotep has many magical powers, including mind control. Boris Karloff’s stare is a thing to behold.
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City of the Living Dead (1980)
Zombies really bothered me as a kid. Seeing the insides of the human body spill out was as pure a vision of horror as I could imagine. Guts should not be outside of your body.
Blade (1998)
Blade is like a magical source of future movie ideas. The opening sequence is brilliant. A fun, if empty, blockbuster
Cure (1997)
Takabe, a detective in Tokyo, investigates a series of murders, each by a different killer, but all carving a cross into their victims throats.
Spring (2014)
If Guillermo del Toro shot a film scripted by David Cronenberg, based on a story by HP Lovecraft, then had it edited by Richard Linklater, you would get Spring.
Jacob’s Ladder (1991)
Jacob is beset by visions and fever dreams. We constantly switch between realities, from the Vietnamese jungle, to his home in New York City, and it’s bewildering, for him and us.
Noroi: The Curse (2005)
This mockumentary is made from grainy handheld video and low-resolution clips of Japanese televison shows. It revels in its fragmentary, low-fi nature. It feels cursed.
Berberian Sound Studio (2012)
Gilderoy is a fish out of water in a remote Italian sound studio. He thinks the film he's working on, The Equestrian Vortex, is about horses, but in fact is an Italian horror film about the torture of witches.
Piranha (1978)
Being nibbled to death by a swarm of piranha is a different agony, I imagine, to being bitten in half by a great white shark. It’s fun, with a surprisingly dark heart.
Fascination (1979)
Marc, a thief, steals a bag of gold from a gang, and is chased by them to a nearby chateau, where two women, Elisabeth and Eva, are waiting for the arrival of their marchioness.
Vampyres (1974)
The first of my #31DaysOfHorror choices this year that I would say is exploitation cinema, I chose Vampyres, naturally, because of the cover art.
Knife+Heart (2018)
Knife+Heart (Un couteau dans le cœur) is a modern giallo film that plays out in a gay porn production company in the summer of 1979.
Death of a Vlogger (2020)
A bang-up-to-date social media horror mockumentary. Twenty years on from Pulse, people still feel empty and disconnected, but now everyone has a webcam. Affecting, funny, and unnerving.
Pulse (2001)
The Tokyo in Pulse is empty and eerie. People are lonely and disconnected from each other. The characters are all young and, in one way or another, alone.
The Crow (1994)
Eric and his fiance Shelly are murdered by a gang of men on the night before their wedding. Eric’s soul cannot rest until he gets justice.
The Fog (1980)
The Fog is an old favourite. I watched it over and over again on VHS as a kid, recorded off the television, and it embedded Adrienne Barbeau’s radio DJ, alone in a lighthouse on the edge of town, as a lifelong crush.
Atlantics (2019)
Atlantics is art house, and it’s a romance, but it’s hardly a horror film. It is, however, fascinating.
Creature From the Black Lagoon (1954)
I wanted to start this year’s #31DaysOfHorror with a classic. I’m trying to watch only films I haven’t seen, and Creature From the Black Lagoon was the oldest unwatched horror film I owned.