Films
In the dark, a waking dream
The Thing From Another World (1951)
A report of a crashed aircraft, a remote scientific outpost, a prickly doctor — and an alien whose unique biology threatens humanity.
Shadow in the Cloud (2020)
Horror stretches across many genres, and you can’t always know in advance how horror-y a film is, so with Shadow in the Cloud we are in war-action-horror territory, in that order.
Lisa and the Devil (1973)
One of the lesser-known corners of the Mario Bava-verse. Telly Savalas as the possible devil Leandro is an amusing presence, and if he is not particularly devilish, the dream-like plot definitely is.
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The Addiction (1995)
This is a film thick with social commentary, philosophy texts and existential ideas. The first images we see are piles of dead bodies from the Holocaust and Vietnam.
Jakob’s Wife (2021)
The irrepressible Barbara Crampton and Larry Fessenden star in this story of a woman’s mid-life crisis being super-charged by an encounter with a vampire.
Werewolves Within (2021)
To kick off this year’s #31DaysofHorror I chose Werewolves Within, a comedy-whodunnit-horror based on a Ubisoft video game. It sounded like a fun October opener.
Horror AND sex!
Here we go again, with my fourth #31DaysofHorror. I’ve talked about this before, but watching these sorts of films makes me feel like I’m hanging out with my dad. This year I just want a reason to watch a lot of horror films.
Auguste
The Three Colours trilogy marked my move from July into August, and amusingly the fledgling judge in Red is called Auguste.
Inland Empire
An unusual and meta experience, but after three hours, as the end credits roll, I find I’m crying, because of the joyful music, yes, and because I’m exhausted.
Mulholland Drive
Events organically unfold, the images are striking, the narrative is confusing, characters are not who they seem to be, and in the last twenty minutes he reveals what’s really going on, sort of.
The Straight Story
If David Lynch were trying to somehow redress all the darkness of his earlier films in one go, then he would make The Straight Story.
Lost Highway
Lost Highway is a puzzle. It opens with a jealous husband who thinks his wife is having an affair, and ends with a deadly resolution, but what happens in between is ambiguous and complicated.
Twin Peaks: Fire Walk With Me
A howl of pain from Laura Palmer, the murdered girl that opened the story of Twin Peaks. It’s difficult, heavy, hard to watch in places, and grapples with incest, rape, drug-taking, murder and domestic abuse.
Wild at Heart
Wild at Heart is a series of deliberately melodramatic, hyper-violent and sexual scenes stitched together into a road movie, with a tenuously-made connection to the Wizard of Oz.
Blue Velvet
Blue Velvet has a fearsome reputation but is also culturally beloved. Dennis Hopper’s over-the-top performance has become iconic, and its themes foreshadow those in the massively popular Twin Peaks.
Dune
I went into Dune thinking I would see something the critics were missing – I mean, how could the director of Eraserhead and The Elephant Man direct a complete dud? – and... it’s so over-the-top, it manages to not be awful.
The Elephant Man
The Elephant Man is as traditional and straightforward as Eraserhead is surreal and obtuse. Both are black and white, and Lynch does use some dream imagery in The Elephant Man, but they’re at opposite end of the narrative spectrum.
Eraserhead
So imaginative and pure and watchable and laugh-out-loud funny, which I didn’t expect at all. A psychosexual puzzle about the horrors of unplanned parenthood, marriage, intimacy, capitalism, poverty, dreams – you can take it any direction you like.
Writing gland
Time to stimulate my first draft writing gland and get my novel moving again. I’d run aground at twenty thousand words. Stephen King’s advice? Write every day and keep going.
Slippery surfaces
Am I doing weekly summary posts now? Perhaps I am. It helps me notice what impact the week’s books and films have had on me. Hand-written notes just get lost in the stream of ink on paper.