Films

In the dark, a waking dream

Fascination (1979)

Marc, a thief, steals a bag of gold from a gang, and is chased by them to a nearby chateau, where two women, Elisabeth and Eva, are waiting for the arrival of their marchioness.

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Vampyres (1974)

The first of my #31DaysOfHorror choices this year that I would say is exploitation cinema, I chose Vampyres, naturally, because of the cover art.

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Knife+Heart (2018)

Knife+Heart (Un couteau dans le cœur) is a modern giallo film that plays out in a gay porn production company in the summer of 1979.

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Death of a Vlogger (2020)

A bang-up-to-date social media horror mockumentary. Twenty years on from Pulse, people still feel empty and disconnected, but now everyone has a webcam. Affecting, funny, and unnerving.

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Pulse (2001)

The Tokyo in Pulse is empty and eerie. People are lonely and disconnected from each other. The characters are all young and, in one way or another, alone.

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The Crow (1994)

Eric and his fiance Shelly are murdered by a gang of men on the night before their wedding. Eric’s soul cannot rest until he gets justice.

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The Fog (1980)

The Fog is an old favourite. I watched it over and over again on VHS as a kid, recorded off the television, and it embedded Adrienne Barbeau’s radio DJ, alone in a lighthouse on the edge of town, as a lifelong crush.

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Atlantics (2019)

Atlantics is art house, and it’s a romance, but it’s hardly a horror film. It is, however, fascinating.

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Creature From the Black Lagoon (1954)

I wanted to start this year’s #31DaysOfHorror with a classic. I’m trying to watch only films I haven’t seen, and Creature From the Black Lagoon was the oldest unwatched horror film I owned.

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October beckons

I love October. I love September too, but October is the favoured child.

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31 Days of Horror, 2020

With 2020 being a demented shitshow, I did fleetingly wonder if I wanted to do #31DaysOfHorror again this year, but then I remembered why I love horror films — they are an escape from reality.

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Reality Bites

Reality Bites is still surprisingly affecting. I had low expectations. I’m not sure why. There is something about your early twenties that is particularly painful and potent.

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Anomalisa (2015)

Everyone looks the same to Michael Stone. He is in Cincinnati to give a talk at a conference. He is desperate for something real in his life, an authentic person who is not like everyone else.

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The Texas Chain Saw Massacre

Siblings Sally and Franklin come to a remote part of Texas to make sure their relatives remains haven’t been dug up from a local cemetery in a bizarre, gruesome local crime. But Franklin’s curiosity gets them into trouble.

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Exhibition (2013)

A married couple, D and H, have created their own emotional ecosystem, balancing intimacy and distance, in a big modernist house somewhere in Central London.

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High Rise

I read several Ballard books in the late nineties — my mid-twenties — starting with short stories, before being entranced by the original shiny silver paperback cover of Super-Cannes, and then going back to his earlier work.

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Written on the Body, Let the Right One In

Week 1. I'm going to try to read a novel and watch a film each week in 2018. In time, I'll work out what I'm doing with it. We'll see if it sticks. I love the idea.

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