Films
In the dark, a waking dream
Blue Velvet (1986)
Blue Velvet has a fearsome reputation but is also culturally beloved. Dennis Hopper’s over-the-top performance has become iconic, and its themes foreshadow those in the massively popular Twin Peaks.
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Dune (1984)
I went into Dune thinking I would see something the critics were missing – I mean, how could the director of Eraserhead and The Elephant Man direct a complete dud? – and... it’s so over-the-top, it manages to not be awful.
The Elephant Man (1980)
The Elephant Man is as traditional and straightforward as Eraserhead is surreal and obtuse. Both are black and white, and Lynch does use some dream imagery in The Elephant Man, but they’re at opposite end of the narrative spectrum.
Eraserhead (1977)
So imaginative and pure and watchable and laugh-out-loud funny, which I didn’t expect at all. A psychosexual puzzle about the horrors of unplanned parenthood, marriage, intimacy, capitalism, poverty, dreams – you can take it any direction you like.
Writing gland
Time to stimulate my first draft writing gland and get my novel moving again. I’d run aground at twenty thousand words. Stephen King’s advice? Write every day and keep going.
Slippery surfaces
Am I doing weekly summary posts now? Perhaps I am. It helps me notice what impact the week’s books and films have had on me. Hand-written notes just get lost in the stream of ink on paper.
Autumn and The Long Goodbye
In Ali Smith’s Autumn, when discussing a piece of art, Daniel Gluck asks the young Elisabeth, ‘And what did it make you think about?’. I love that question.
She Dies Tomorrow (2020)
This isn’t a horror film, though it is marketed as one. The camera is often still as figures move towards us, faces blurred by lights or shadows, which creates a sense of dread.
To the Ends of the Earth (2019)
I couldn’t resist another film by my new favourite director, Kiyoshi Kurosawa, care of my Mubi subscription. Knowing a film I fancy is going to disappear in a few days makes me create the time to watch it.
A Short Film About Love (1988)
Tomek is nineteen, lonely and living with his possessive godmother in a Polish apartment block. Every evening he spies on Magda through his telescope when she comes home from work.
Creepy (2017)
The films of Kiyoshi Kurosawa were a revelation to me in October’s #31DaysOfHorror — I started with Pulse (2001), then went back to Cure (1997), and both were masterpieces.
Creativity 2.0(.21)
I wonder what next year will bring? I wonder how I can make my craft feel more fun? With those questions in mind, we enter a season of change.
Doctor Sleep (2019)
Danny Torrance is an alcoholic, but finds a place of peace and sobriety in New Hampshire, where he uses his shine to ease the deaths of the elderly people in a local hospice.
The Bride of Frankenstein (1935)
The Bride of Frankenstein contains some of the most iconic images in cinema, but it opens with a scene I really didn’t expect — Lord Byron and Percy Shelley praising Mary Shelley for her book, Frankenstein.
The Exorcist (1973)
A cultural behemoth. It’s an astonishing film and deserves the plaudits. As I watched it, the question that kept coming up in my mind was, why Regan?
Tenebre (1982)
Tenebre is set in Rome, but we could be anywhere, because the story stays in hotel rooms, suburban streets and modernist buildings made of concrete and glass.
Land of the Dead (2005)
I’d been so careful in choosing the films up to this point, but for one night I thought I’d just go with something random, and here we are. Land of the fucking Dead.
Christine (1983)
Stephen King is brilliant at weaving vivid teenage experiences into his novels. Christine was one of the formative books of my childhood. But this is a horror film first and foremost.
Prom Night (1980)
Like Scream’s Ghostface, the killer in Prom Night can be dodged and knocked over. This is not Michael Myers. There is a lot of disco.
A Cure for Wellness (2017)
The vampiric financial services industry meets the parasitic wellness industry in a fairy tale where an ambitious young man is sent to a Swiss sanitorium to bring back his company’s rogue CEO.