Films
In the dark, a waking dream
The Bride of Frankenstein (1935)
The Bride of Frankenstein contains some of the most iconic images in cinema, but it opens with a scene I really didn’t expect — Lord Byron and Percy Shelley praising Mary Shelley for her book, Frankenstein.
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The Exorcist (1973)
A cultural behemoth. It’s an astonishing film and deserves the plaudits. As I watched it, the question that kept coming up in my mind was, why Regan?
Tenebre (1982)
Tenebre is set in Rome, but we could be anywhere, because the story stays in hotel rooms, suburban streets and modernist buildings made of concrete and glass.
Land of the Dead (2005)
I’d been so careful in choosing the films up to this point, but for one night I thought I’d just go with something random, and here we are. Land of the fucking Dead.
Christine (1983)
Stephen King is brilliant at weaving vivid teenage experiences into his novels. Christine was one of the formative books of my childhood. But this is a horror film first and foremost.
Prom Night (1980)
Like Scream’s Ghostface, the killer in Prom Night can be dodged and knocked over. This is not Michael Myers. There is a lot of disco.
A Cure for Wellness (2017)
The vampiric financial services industry meets the parasitic wellness industry in a fairy tale where an ambitious young man is sent to a Swiss sanitorium to bring back his company’s rogue CEO.
The Dead Center (2019)
In a Nashville morgue, an unnamed man comes back to life and walks out. A short, sharp film, less than ninety minutes, and it zips along.
It Follows (2015)
The film opens with a wide shot of a leafy suburban street, and we look closely for whatever we think the director wants us to see. Like Jay, we are trained from the start to scan the horizon for trouble.
The Beyond (1980)
There is a portal to hell in the basement, and people get mysteriously hurt while working in the house. Like Hellraiser a few years later, the dead return to claim the ones that escape from hell.
#Alive (2020)
After Fulci’s barely moving dead, these running zombies are a bit of a shock. Technology is an ally, but the adult Joon-woo seems to be in a semi-infantile state.
The Mummy (1932)
The original Universal horror films are a bit of a blind spot for me. Imhotep has many magical powers, including mind control. Boris Karloff’s stare is a thing to behold.
City of the Living Dead (1980)
Zombies really bothered me as a kid. Seeing the insides of the human body spill out was as pure a vision of horror as I could imagine. Guts should not be outside of your body.
Blade (1998)
Blade is like a magical source of future movie ideas. The opening sequence is brilliant. A fun, if empty, blockbuster
Cure (1997)
Takabe, a detective in Tokyo, investigates a series of murders, each by a different killer, but all carving a cross into their victims throats.
Spring (2014)
If Guillermo del Toro shot a film scripted by David Cronenberg, based on a story by HP Lovecraft, then had it edited by Richard Linklater, you would get Spring.
Jacob’s Ladder (1991)
Jacob is beset by visions and fever dreams. We constantly switch between realities, from the Vietnamese jungle, to his home in New York City, and it’s bewildering, for him and us.
Noroi: The Curse (2005)
This mockumentary is made from grainy handheld video and low-resolution clips of Japanese televison shows. It revels in its fragmentary, low-fi nature. It feels cursed.
Berberian Sound Studio (2012)
Gilderoy is a fish out of water in a remote Italian sound studio. He thinks the film he's working on, The Equestrian Vortex, is about horses, but in fact is an Italian horror film about the torture of witches.
Piranha (1978)
Being nibbled to death by a swarm of piranha is a different agony, I imagine, to being bitten in half by a great white shark. It’s fun, with a surprisingly dark heart.