Films

In the dark, a waking dream

Re-Animator (1985)

A gory take on Frankenstein with a psychopathic scientist, an evil academic, and a morgue full of reanimated corpses. The ever-present syringe of neon green liquid is iconic.

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65 (2023)

An alien gets stranded on Earth when an asteroid hits his ship. There is a fellow survivor. There are challenges. There are dinosaurs.

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The Pale Blue Eye (2022)

A nineteenth century murder mystery set in the snowbound US military academy at West Point, where a cadet is found hanged with his heart removed from his body.

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The Exorcist III (1990)

A flawed film filled with wonders. More of an existential downer than I expected — yes, it’s about a demon bringing hell to earth, but it goes strong with what that might mean.

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Survival of the Dead (2009)

An exiled patriarch tempts four soldiers to his island with a hope of settling an old score. Tonally weird — part western, part comedy, not much zombie threat — it’s a clunker.

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Diary of the Dead (2007)

Found footage Romero style. A student film crew try to stay alive as the dead come back to life, but the director decides to film everything putting pressure on the people around him.

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Eye in the Labyrinth (1972)

Julie is looking for her missing psychiatrist (hard relate) and travels to a Greek island to search for him. There she stays at a clifftop villa with a commune of shifty artists.

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Strip Nude For Your Killer (1975)

Sometimes the algorithm wears you down, and the familiar cover art catches you in a vulnerable moment, and you choose a film that you know will be bad... except it’s good!

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The Broken (2007)

A mirror falls off a wall during a party, releasing cold-hearted döppelgangers from a mirror world who begin to replace their counterparts.

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The Cursed (2021)

Kelly Reilly plays another mother, this time on a remote estate in nineteenth-century rural England, and is visited by a ‘pathologist’ instead of Poirot. A curse is made, werewolves ensue.

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A Haunting in Venice (2023)

I started this year’s #31DaysofHorror with a classic whodunnit mashed with a ghost story. Kenneth Branagh plays around with spooky children, Viennese masks and fish eye lenses to fun effect.

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Meg 2: The Trench

Teeth and tentacles chomp, devour, squeeze and rip through submarines, boats, research stations, and eventually a holiday resort. People die. Lots of people having fun die.

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Everyman

Heat. During the final chase, I could feel the rumble of planes in my stomach, and my wife now has the hots for nineties Pacino. He’s a very sloppy kisser on a big screen.

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Author speculation

I’m reading Cinema Speculation, Quentin Tarentino’s non-fiction celebration of key American films of the seventies—Bullitt, Dirty Harry, Escape From Alcatraz, The Funhouse. I heard about it through the Pure Cinema podcast, which is connected to Tarentino’s Los Angeles cinema, the New Beverly. The prose voice is exactly how Tarentino sounds in interviews and podcasts.

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Puzzles

At the start of the day a deployment of code went awry and at the end I was a go-between over my still-hospitalised father’s boxer shorts. Life can be ridiculous. On Monday I went to see John Wick 4 and ate a terrible hot dog. The person serving sprinkled it with dried (!), crunchy onions. Then yesterday I watched the first half of Michelangelo Antonioni’s La Notte. The two films serve different parts of me. Michelangelo Antonioni — I am Michael, my uncle was an Anthony who is now with the angels.

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Content apocalypse

This is the tipping point. I’m fifty in two weeks. I’ve watched fifty percent of the 800 films I own, and even less of the books. The amount of time I have left is constricting, but the number of books and films I own keeps expanding. Something has to give. I need a new philosophy. What I consume (bleurgh) must feed (this is family trauma speaking) whatever I am creating. I envy those who have perhaps always done this. Collecting and list-making is the hoarder’s comfort.

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Seen, Read: 2022

All the films seen and books read in 2022. In the spirit of Steven Soderbergh, I decided to pull my own list together, seeing as I had the data in Letterboxd and Goodreads. FILMS IN ALL CAPS (C if in cinema). Books, by author, on end date (with start date).

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Adieu, 2022

In time-honoured fashion, here are my favourite discoveries of 2022, in chronological order of publication or release. It’s been a year of three big creative adventures: getting a new job (first in fourteen years); a family holiday in France (first to Paris for a week, then to Morzine in the French Alps); setting up my Patreon (experimenting with a patrons-only podcast). There was very little fiction writing, but plenty of reflective writing.

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Films, dreams, fiction and writing

I’ve come to think that films are intrinsically linked to my writing practice, but I’m worried my film-watching habit is more of a distraction than an inspiration.

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Farewell, 2021

As 2022 comes into view upriver, the final days of 2021 flow past, and I couldn’t pass up the chance to reflect on what I’ve read, watched and written this year.

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