Films

In the dark, a waking dream

Deep Red

After making a couple of thrillers for television and a hard-to-find historical comedy that was a commercial flop, Argento returned to Giallo with a twisty, colourful, Goblin-scored mystery.

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Four Flies on Grey Velvet

Roberto, an American drummer in a band recording in Milan, chases a man who has been following him and accidentally kills him. A masked figure takes photographs and begins to torment Roberto, but what is their motive?

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The Cat O’ Nine Tails

A blind ex-journalist overhears a conversation about blackmail outside his apartment. A newspaper reporter investigates a burglary in a nearby laboratory. As people at the lab start to die, the two men join forces to uncover the story.

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The Bird with the Crystal Plumage

In Panico, Dario Argento describes himself as being of two halves — the contented person at home, and the person who is compelled to investigate the darkness inside himself through making films.

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Ligeia

Ligeia, by Edgar Allan Poe, is a six-thousand-word hallucinatory tale about an intense marriage that survives beyond death. The narrator is looking back, remembering his wife, Ligeia, who he idolised.

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Physical media

Continuing my interest in how fiction and films work together, I picked up Cornish Horrors: Tales from the Land’s End, part of the British Library’s Tales of the Weird series, a collection I’ve owned for a few years and never read...

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Nostalgia

I’m in Wales at short notice because Dad’s been admitted into hospital. The co-morbidities have gathered and decided to strike. He’s in bad shape. Around visiting times I’m looking for peaceful, distracting activities.

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Fidelity

I’ve deleted my Patreon creator’s account, which was beginning to feel like I was cheating on my website (or the other way around, I’m not sure). Two places for almost the same words.

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Seen, Read: 2023

All the films seen and books read in 2023.

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Best film discoveries and fiction of 2023

My favourite ten film discoveries (ranked) and ten favourite fiction books (not ranked). (Letterboxd is a hella sexy website. I wish GoodReads made more of an effort.)

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Halloween (1978)

It has a purity that other slashers don’t have — the crisp cinematography, Laurie’s naive, nerdy charm, the simple (perfect) motif of the score. I can’t fully explain it.

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Enemy (2013)

My favourite discovery of the month. Barely ninety minutes, looks beautiful, has a startling final image, and I’m still thinking about it a day later.

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Cloverfield (2008)

Feeling insignificant in the face of a fictional disaster, whether natural or alien, has its psychological comforts. Sometimes you just want something big to fuck shit up.

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You're Next (2011)

It’s bleak fun with some good twists. Everyone apart from Erin, our survivalist heroine, is awful. Is this where the current trend of violent final girls began?

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Duel (1971)

I watched Duel dozens of time on television as a kid, as well as it’s rip-off cousin The Car, so it was a treat to revisit it. I didn’t remember the crisis of masculinity.

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Return of the Living Dead (1985)

The gang of punks hanging out in the graveyard are everything I wish I’d been as a teen — vibrant, trashy, horny, loud, and sometimes naked in public.

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Evil Dead 2 (1987)

A man who wanted to have a romantic weekend in the woods with his girlfriend is instead made to fight for his life against demon-possessed corpses.

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Invaders From Mars (1986)

A pastiche of black and white science-fiction films, but subverting them by having the aliens turn people into conformist fifties stereotypes instead of communists.

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Lifeforce (1985)

Naked space vampires hidden in Halley‘s Comet, you say? I’m in! Plays on a much bigger canvas than I expected and owes a debt to Quatermass.

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Infinity Pool (2023)

A man pays dearly to escape his writer’s block when he accepts the malign attention of a woman who wants to test him to destruction.

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